We left the deep freeze of Toronto and landed in the damp chill of Glasgow. I’m not sure which I prefer, but I’d toss them both out for the hot sand of any Caribbean Island….I’d even take a Florida beach at this point. Fuck, I hate the cold.
It was a long journey, 36 hours between sleeps, including a six hour lay-over at Heathrow while BA searched for a plane that could fly. And it was an expensive journey, $1200 in excess baggage fees. But we made it and, as anticipated, fresh pints of John Smith’s were waiting for us at the end of the journey.
I like coming to Glasgow, if for no other reason than the Scots are such a welcoming and friendly tribe. Perhaps it’s the familiarity; there is a lot of Scottish blood running through Canadian veins. I don’t have much of a feel for the city, itself. It doesn’t have the natural charm of Edinburgh, but there is something genuine about it. The gig tonight was part of the three week long Celtic Connections festival, which takes place all over the city in different venues. Tonight we were placed in the Kelvingrove Museum: an enormous Victorian building housing the oddest collection of art and artefacts, everything from a spitfire to a stuffed elephant to a priceless Dali. They used the Great Hall for the gig which probably seemed like a good idea to the person who envisioned the gig, but if they had asked a sound engineer or musician if the room would work with a PA in it, they would have passed on the venue. Stone and marble with a 100 foot high arched ceiling never goes well with a kick drum. It was a nightmare for Jared and not very pleasant for us on stage: a big, echo-y mush. The urban myth about this building is that once it was built the architect came to visit and discovered that it had been built backwards. In his despair he killed himself. I think he came to see a rock show here and just couldn’t handle the mess. On the positive side; the show was sold out and the Glaswegians showed their class and gave us a warm welcome and plenty of support; we also got to listen to John Murry who opened for us and also had to fight the sound but made me want to check out his album; and we got to rummage around in the wardrobe room…always a good time.
This entry was posted on Thursday, January 24th, 2013 at 4:06 pm and is filed under Tour Diary. You can follow any responses to this entry through the RSS 2.0 feed. Both comments and pings are currently closed.
Quite right about the sound in Glasgow. It was better upstairs but the echo from the side halls boomed and overall it was a bit of a mush. However it was great to see you and the very fine John Murry.
These avalanches of reverberation just drowned poor John Murry, who unfortunately also seemed poorly prepared. My first time to see the CJ live. Given these extremely difficult acoustic conditions, the sound was still remarkably good. Also, Margo's singing is better than it has ever been. Glad I was there.